Brand: BOLEX
Category: Camera
Document Type: Manual
Language: EN
Available Languages: EN , ES
Uploaded: Aug. 10, 2025, 12:37 a.m.
No warranty information is provided in this manual.
Winding the motor: Engage the motor by moving the disengaging lever to MOT and the side release to STOP. Raise and turn the winding handle until it engages. Wind fully counter-clockwise and secure the handle.
Filming speeds: Use the speed control dial to select 12, 16, 18, 24, 32, 48, or 64 frames per second. 18 fps is the standard for smoother reproduction.
Normal shots: Press the front release or push the side release to M.
Single frame shots: Push the side release to P. Use lever position I for instantaneous or T for time shots.
Selfilming: Push the side release to M. The camera runs as long as the motor is wound.
Hand cranking: Disengage the motor (lever to O). Insert hand crank and turn for rewinding. Return motor by setting lever to MOT.
Loading film: Remove lid, ensure pressure pad is secure, remove empty spool. Open film retaining arms, place spool with unexposed film, ensure correct film path. Insert film leader into film knife.
| FAULT | POSSIBLE CAUSE | DESCRIPTION |
|---|---|---|
| Film all black | Variable shutter was closed. | |
| Under-exposed film, inverted frames, strong orange tint | Film has been wrongly loaded, with the dark side of the film towards the lens. | |
| Frames too dark, without life | Under-exposed (diaphragm closed down too far with regard to the filming speed and the opening of the variable shutter). | |
| Washed out frames | Over-exposed (diaphragm open too wide with regard to the filming speed and the opening of the variable shutter). | |
| Blurred frames | Inaccurate distance setting. | |
| "Jumping" frames | Camera unsteady while filming. Pan shot made too quickly. | |
| Unnatural coloring | Using filters for black-and-white film with color film. Films developed long after exposure. Films badly stored before use. | |
| Dominant red-orange tint | Sequence shot too early in the morning or too late in the evening. Using tungsten lamps with a "daylight" film, or using a lamp not receiving enough current with an "artificial light" film. | |
| Dominant blue tint | Filming distant subjects at high altitudes or on water without the necessary filter. | |
| Partly obscured frames | An object in front of the taking lens, possibly a long tele lens or finger. Turret improperly positioned. | |
| Parallel scratches on the edge of the film | Dust or emulsion particles in the filmgate of the camera. | |
| Fogged film | Direct light entered the camera through the reflex viewfinder. | |
| Film fogged at the edges | Film insufficiently protected during the loading or unloading of the camera - the film was accidentally exposed to direct light. |